Post by setiishadim on Dec 29, 2006 6:33:34 GMT -5
Part II: Have you danced with the Devil in the pale moonlight? An Introduction to Post Modern LHP Magick.
D. Trust Yourself
As anyone begins to survey the mass of occult literature, most cannot help but be overwhelmed. There are countless books with endless promises of infinite power. The sheer quantity of techniques is numerically staggering. As an ancient Sufi proverb says: "There are as many ways to God as there are human breaths." There are many ways, but which way is yours? It does not matter. Pick a way & trust yourself. If you are keeping focused and open, you will learn to feel when you are going in a direction that is not your own. You learn to trust your gut, rather than your head or heart. When you're going right, even God Herself couldn't talk you out of going on your path into Darkness.
E. An Important Distinction About Magick
As stated in countless texts, a friend of mine brought up a very important distinction. I favor a Luciferian approach to the Left Hand Path but this is far from the only LHP. Additionally, I have failed to give a clear definition on what Black Magick is to me. Simply put, Black Magick is the viewpoint that Magick has no restrictions other than what you impose upon it. Thus, Black Magick does not mean devil worship or Satanism.( Unless that is your personal path) In many rituals I use have invocations of "Infernal Powers". Keep in mind that these are not intrinsic to all magick.
F. It Is Through Will Alone That I Set My Mind In Motion
This next step may sound unimportant, but it is NOT. Get a notebook and write down everything you do involving ritual work or meditation. Include time, weather, moon phase, emotions, and anything you think of as important. Ask any practitioner of magick about this. I myself thought when I started it wasn't that significant. I was really wrong. The journal is your roadmap. When you have completed whatever ritual, then immediately write down whatever perceptions you had during the rite. You think you'll remember the details later but you won't. This is not a weakness, it is being human.
So far the only ritual work I have shown is Liber Resh: the four prayers to the Sun. There is a reason for this. It introduces you to the magick circle, elemental quarters, and projecting energy which is reinforced four times a day. It is a sort of initiation into your own will. But it is very basic.
The next step is to create a ritual magick space. I will assume the magickian has assembled basic tools according to their tradition. If you are unfamiliar with and do not have ritual tools, I recommend the following books for further detail:
I. Kraig, Donald. Modern Magick: Eleven Lessons in the High Magickal Arts (Llewellyn's High Magick Series)
II. Konstantinos. Summoning Spirits :The Art of Magical Evocation(Llewellyn's Practical Magick Series):
III. Crowley, Aleister Magick: LIBER IV
www.sacred-texts.com/oto/lib4.htm
G. Sample Banishing Rituals
Below are four rituals both traditional and modern Luciferian/Setian adaptations.
[/li][li]
C. Politics of the Ritual
With practice, you will no doubt come up with your own style of performance, and your own different symbolism for ritual acts. Different people do rituals as differently as actors play parts, even though the lines and motions may be fundamentally the same. (The alternative is an authoritarian, dogmatic horror which is alien to the deep occult understanding of religion, but is still common in magical groups.) Slavish imitation will get you nowhere in Magick -- except, perhaps, to some high spiritual degree!
The Christianity -- or at least angelic monotheism -- of the ritual symbolism may give a start to some. Many of us involved in occultism have strongly negative feelings about Christianity. These are perhaps justified, but there are a few saving graces here.
First, as with any ritual, you should feel free to make it yours, to mess around with it. If you don't start to at least play with the styles of a ritual after a while, you are probably not doing it very well. It is perfectly legitimate to substitute cognate symbols at any time. However, the saying in the martial arts is that one first learns another's style, and after mastering it, moves on to create one's own. For a beginner, it will be easiest simply to use an existing ritual form in order to explore the meaning of a banishing ritual.
Given that experience, which transcends any mere set of symbols, one may devise a form more in keeping with the emergence of one's personal style. For instance, Neo-Pagans use a highly reified form of the same basic ritual in many of their traditions, but with non-Christian deities, spirits, and heros at the quarters. Aleister Crowley wrote a new version which made the performance more dancelike, and used the names of Thelemic deities and officers rather than monotheist gods and angels. My private version, called "Opening the Threshold", is entirely atheistic and philosophical.
In any case, of those people who so abhor Christianity, how many have looked at some of the practices of historical pagans in Europe, Asia, Africa and the Americas? No religion should ever be "accepted" by an occultist. When using any religion's symbolism, the adept should cut to its sacred poetical core and discard the political dross. By this standard, Christianity looks about as good as any other religion. Without this standard and by factoring in historical excesses and power plays, almost all known religions look just about as bad as Christianity.
In other words, someone who will happily use Norse gods, Arthurian heroes, Taoist immortals, Voudoun loas, or what have you in rituals, but will never touch a Christian angel, is guilty of the same narrowness he or she probably imparts to the Christians.
The Vibration of God-Names
In the LBR, the vibration of the god-names "charges" or "enlivens" the pentagrams in the air. This is difficult to describe, but easy to recognize. There is a feeling of presence in one of these charged warding images -- though not necessarily a feeling of true externality or separate intelligence. Weare told to "vibrate" the names. The description and illustration of the "vibration" given in Liber O have been known to mislead people into hilarious postures. What the picture most resembles is the skulking monster from the movie The Mummy. To the modern eye, it is remarkable how truly unclear a photograph can be. I didn't learn how to vibrate a god-name until I signed up with yet another occult order and was taught it in person. I wouldn't wish the ensuing experience on anyone, so here is a description which I hope will be adequate in print.
Vibration phase i -- The Sign of the Enterer (1-4)
1. Stand upright. Blow all the air out of your lungs. Hold your arms straight out at your sides.
2a. Close your eyes and inhale nasally, imagining that the breath is the name. The exact nature of this imagination differs from person to person. Thus, you imagine yourself inhaling the name into your lungs.
2b. As you inhale, sweep your forearms smoothly and deliberately up so that your fists rest on your temples.
3. Imagine the breath moving down through your torso slowly, and through your pelvis, your legs, and finally to the soles of your feet. (Don't do this so slowly that you are hurting for air when the name reaches your feet!)
4a. The instant the inhaled vibrational name hits the soles of your feet, imagine it rushing back up and out.
4b. Simultaneously, throw yourself forward, thrusting your left foot forward about twelve inches (or thirty centimeters) and catching yourself on it. Your hands shoot forward, together, like a diver. You bend forward at the waist so that your torso winds up parallel to the floor.
4c. The air in your lungs should be blown out through your nose at the same time, but imagine the name shooting out straight ahead.
Steps 3-4 are known as the Sign of the Enterer, or of Horus. This symbolizes powerful active energy. The Enterer should be something of a "rush". The vibrational name is projected outwards into more tangible manifestation -- in this case, in the pentagrams of the LBR, which are charged by the force of the projected god-names.
It is highly inadvisable to omit the portion of step(4b) which reads "catching yourself on it." But again, I have no desire to infringe on your freedom of choice.
Vibration phase ii -- The Sign of Silence (5)
5. Finally, withdraw into a standing position, left arm hanging at your side, right forefinger on lips, left foot pointing ninety degrees out from the body.
Step 5 is called the Sign of Silence, or of Harpocrates. This Egyptian god was mistakenly believed (at the turn of the century) to pertain to silence, because his finger or thumb was touching his lips. This gesture is now believed to be a symbol of childhood; this correction appears in the World card of Crowley's "Book of Thoth" Tarot deck. Harpocrates was the god of the Sun at dawn, and so symbolizes wonder, beauty, potential, growth. So, step 5 may be done in this academically corrected light instead.
However, the "hush" gesture of the Golden Dawn Sign of Silence is adequate for the modern occultist, even if deprived of A Divine Identification. It is a common gesture, at least in the European culture, meaning silence. Silence perhaps balances the ultra-active Sign of the Enterer better than does the more scholarly positive/active "Sign of Harpocrates the Rising Sun", and silence is surely no alien concept to mystics.
The Invocation
The pentagrams are given form by the drawing, life by the vibration, identity by the four-part prayer of steps (x) to (xiv). Some people do very elaborate visualizations of angelic guardians on each of (xi) to (xiv). Because of my tragic personal deficiencies, I am content with strong feelings of presence, identity, and divinity in each of the four directions.
A horizontal cross is built up step by step as you say, "Before me Raphael", etc, with you at the center; and the position of your arms forms a vertical cross, a renewal of the Qabalistic Cross from the start of the ritual. You may feel a quite peculiar rising and expansion when both of these crosses are formulated. One has become the center of the geometry of the space, and it is like a little world in itself, cut adrift from the mundane currents of everyday experience.
Steps (xv) and (xvi) are when the real banishing takes place, during "For about me flames the pentagram, and in the column stands the six-rayed star." A great pulse of force is emitted during these steps, imposing the personal will on the space and clearing it of all hostile influences.
After this is done, the invoked "archangels" maintain the banishing effect, guarding in all four directions. Of course this talk of angels is all bullnuts -- the importance lies in the psychological effect. Whether there "really is" an archangel standing there keeping out inimical spirits is not important. The "feeling of cleanliness" is what matters.
Concluding Cross
The final Qabalistic Cross is an affirmation of the completeness and symmetry of the ritual, and also a new self-consecration. This is more efficacious than the previous Cross because it is done in a banished environment.
One is now ready to do a formal invocation, an evocation, a meditation, or whatever the overall purpose may be. The LBR is a preliminary ceremony, although it has a beneficial effect in itself. It can profitably be done as a stand-alone ritual, but you should move on. The LBR should keep away the horrible ickies that turn so many novices away from Magick. Its mastery is a first step to adeptship.[/color][/quote]
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Copyright Note: Did You Ever Dance With The Devil In The Pale Moonlight? :An Introduction to Post-Modern Left Hand Path Magick Part II is copyright protected. (2005) It may be freely reproduced conditionally, if and only if, authorship is credited and no alteration of the text occurs.
(c) Seti I Shadim 2005
D. Trust Yourself
As anyone begins to survey the mass of occult literature, most cannot help but be overwhelmed. There are countless books with endless promises of infinite power. The sheer quantity of techniques is numerically staggering. As an ancient Sufi proverb says: "There are as many ways to God as there are human breaths." There are many ways, but which way is yours? It does not matter. Pick a way & trust yourself. If you are keeping focused and open, you will learn to feel when you are going in a direction that is not your own. You learn to trust your gut, rather than your head or heart. When you're going right, even God Herself couldn't talk you out of going on your path into Darkness.
E. An Important Distinction About Magick
As stated in countless texts, a friend of mine brought up a very important distinction. I favor a Luciferian approach to the Left Hand Path but this is far from the only LHP. Additionally, I have failed to give a clear definition on what Black Magick is to me. Simply put, Black Magick is the viewpoint that Magick has no restrictions other than what you impose upon it. Thus, Black Magick does not mean devil worship or Satanism.( Unless that is your personal path) In many rituals I use have invocations of "Infernal Powers". Keep in mind that these are not intrinsic to all magick.
F. It Is Through Will Alone That I Set My Mind In Motion
This next step may sound unimportant, but it is NOT. Get a notebook and write down everything you do involving ritual work or meditation. Include time, weather, moon phase, emotions, and anything you think of as important. Ask any practitioner of magick about this. I myself thought when I started it wasn't that significant. I was really wrong. The journal is your roadmap. When you have completed whatever ritual, then immediately write down whatever perceptions you had during the rite. You think you'll remember the details later but you won't. This is not a weakness, it is being human.
So far the only ritual work I have shown is Liber Resh: the four prayers to the Sun. There is a reason for this. It introduces you to the magick circle, elemental quarters, and projecting energy which is reinforced four times a day. It is a sort of initiation into your own will. But it is very basic.
The next step is to create a ritual magick space. I will assume the magickian has assembled basic tools according to their tradition. If you are unfamiliar with and do not have ritual tools, I recommend the following books for further detail:
I. Kraig, Donald. Modern Magick: Eleven Lessons in the High Magickal Arts (Llewellyn's High Magick Series)
II. Konstantinos. Summoning Spirits :The Art of Magical Evocation(Llewellyn's Practical Magick Series):
III. Crowley, Aleister Magick: LIBER IV
www.sacred-texts.com/oto/lib4.htm
G. Sample Banishing Rituals
Below are four rituals both traditional and modern Luciferian/Setian adaptations.
On the Lesser Banishing Ritual of the Pentagramby Tim Maroney
The Lesser Banishing Ritual of the Pentagram is one of the chief rituals of Western Magick. It has been with us at least since the Golden Dawn of the nineteenth century, and it has penetrated into all the many Golden Dawn spinoffs, including Neo-Paganism. Yet there is still no widely available, clear instruction. The directions of the magical orders are mere mnemonics for those who are assumed to have personal instructors. To formulate my personal approach to the ritual, to aid any others who may be considering practicing the LBR, and to satisfy the idle curiosity of any gawking onlookers, I have put together this short discussion of the ritual and its symbolism and performance.
A. Intent of the Ritual
The real action of a magick ritual takes place in the mind. Ritual is a form of moving meditation. The effect is also primarily psychological.* The LBR is a tool to facilitate meditation.
[*Not all players would agree with this statement. Many would say that the effect of the LBR is a fortified and cleansed area on the astral plane, which they think is as real as Hoboken, if not more so. It doesn't really matter in practice.]
The experience of a proper LBR is pleasurable and soothing, yet energizing and empowering. One is made at home in the mystical realm, protected from lurkers and phantasms by strongly imagined wards. This solace from mundane experience is a precondition for more serious works of meditation or ritual, but it can also form a healthy part of the life of the mind by itself.
B. The Ritual
I'll just reprint the description of the Lesser Banishing Ritual of the Pentagram from Liber O, a publication of the occult order A.'.A.'.
Touching the forehead, say "Ateh (Unto Thee)."
Touching the breast, say Malkuth (The Kingdom)."
Touching the right shoulder, say "ve-Geburah (and the Power)."
Touching the left shoulder, say "ve-Gedulah (and the Glory),
Clasping the hands upon the breast, say "le-Olahm, Amen (To the Ages, Amen)."
Turning to the East, make a pentagram (that of Earth) with the proper weapon (usually the Wand). Say (i.e. vibrate) "IHVH" (Ye-ho-wau*).
Turning to the South, the same, but say "ADNI" (Adonai).
Turning to the West, the same, but say "AHIH" (Eheieh).
Turning to the North, the same, but say "AGLA" (Agla).
Extending the arms in the form of a cross say:
"Before me Raphael;
Behind me Gabriel;
On my right hand Michael;
On my left hand Auriel;
For about me flames the Pentagram,
And in the Column stands the six-rayed Star."
until xxi. Repeat steps (i) to (v), the "Qabalistic Cross."
The Lesser Banishing Ritual of the Pentagram is one of the chief rituals of Western Magick. It has been with us at least since the Golden Dawn of the nineteenth century, and it has penetrated into all the many Golden Dawn spinoffs, including Neo-Paganism. Yet there is still no widely available, clear instruction. The directions of the magical orders are mere mnemonics for those who are assumed to have personal instructors. To formulate my personal approach to the ritual, to aid any others who may be considering practicing the LBR, and to satisfy the idle curiosity of any gawking onlookers, I have put together this short discussion of the ritual and its symbolism and performance.
A. Intent of the Ritual
The real action of a magick ritual takes place in the mind. Ritual is a form of moving meditation. The effect is also primarily psychological.* The LBR is a tool to facilitate meditation.
[*Not all players would agree with this statement. Many would say that the effect of the LBR is a fortified and cleansed area on the astral plane, which they think is as real as Hoboken, if not more so. It doesn't really matter in practice.]
The experience of a proper LBR is pleasurable and soothing, yet energizing and empowering. One is made at home in the mystical realm, protected from lurkers and phantasms by strongly imagined wards. This solace from mundane experience is a precondition for more serious works of meditation or ritual, but it can also form a healthy part of the life of the mind by itself.
B. The Ritual
I'll just reprint the description of the Lesser Banishing Ritual of the Pentagram from Liber O, a publication of the occult order A.'.A.'.
Touching the forehead, say "Ateh (Unto Thee)."
Touching the breast, say Malkuth (The Kingdom)."
Touching the right shoulder, say "ve-Geburah (and the Power)."
Touching the left shoulder, say "ve-Gedulah (and the Glory),
Clasping the hands upon the breast, say "le-Olahm, Amen (To the Ages, Amen)."
Turning to the East, make a pentagram (that of Earth) with the proper weapon (usually the Wand). Say (i.e. vibrate) "IHVH" (Ye-ho-wau*).
Turning to the South, the same, but say "ADNI" (Adonai).
Turning to the West, the same, but say "AHIH" (Eheieh).
Turning to the North, the same, but say "AGLA" (Agla).
Extending the arms in the form of a cross say:
"Before me Raphael;
Behind me Gabriel;
On my right hand Michael;
On my left hand Auriel;
For about me flames the Pentagram,
And in the Column stands the six-rayed Star."
until xxi. Repeat steps (i) to (v), the "Qabalistic Cross."
C. Politics of the Ritual
With practice, you will no doubt come up with your own style of performance, and your own different symbolism for ritual acts. Different people do rituals as differently as actors play parts, even though the lines and motions may be fundamentally the same. (The alternative is an authoritarian, dogmatic horror which is alien to the deep occult understanding of religion, but is still common in magical groups.) Slavish imitation will get you nowhere in Magick -- except, perhaps, to some high spiritual degree!
The Christianity -- or at least angelic monotheism -- of the ritual symbolism may give a start to some. Many of us involved in occultism have strongly negative feelings about Christianity. These are perhaps justified, but there are a few saving graces here.
First, as with any ritual, you should feel free to make it yours, to mess around with it. If you don't start to at least play with the styles of a ritual after a while, you are probably not doing it very well. It is perfectly legitimate to substitute cognate symbols at any time. However, the saying in the martial arts is that one first learns another's style, and after mastering it, moves on to create one's own. For a beginner, it will be easiest simply to use an existing ritual form in order to explore the meaning of a banishing ritual.
Given that experience, which transcends any mere set of symbols, one may devise a form more in keeping with the emergence of one's personal style. For instance, Neo-Pagans use a highly reified form of the same basic ritual in many of their traditions, but with non-Christian deities, spirits, and heros at the quarters. Aleister Crowley wrote a new version which made the performance more dancelike, and used the names of Thelemic deities and officers rather than monotheist gods and angels. My private version, called "Opening the Threshold", is entirely atheistic and philosophical.
In any case, of those people who so abhor Christianity, how many have looked at some of the practices of historical pagans in Europe, Asia, Africa and the Americas? No religion should ever be "accepted" by an occultist. When using any religion's symbolism, the adept should cut to its sacred poetical core and discard the political dross. By this standard, Christianity looks about as good as any other religion. Without this standard and by factoring in historical excesses and power plays, almost all known religions look just about as bad as Christianity.
In other words, someone who will happily use Norse gods, Arthurian heroes, Taoist immortals, Voudoun loas, or what have you in rituals, but will never touch a Christian angel, is guilty of the same narrowness he or she probably imparts to the Christians.
The Vibration of God-Names
In the LBR, the vibration of the god-names "charges" or "enlivens" the pentagrams in the air. This is difficult to describe, but easy to recognize. There is a feeling of presence in one of these charged warding images -- though not necessarily a feeling of true externality or separate intelligence. Weare told to "vibrate" the names. The description and illustration of the "vibration" given in Liber O have been known to mislead people into hilarious postures. What the picture most resembles is the skulking monster from the movie The Mummy. To the modern eye, it is remarkable how truly unclear a photograph can be. I didn't learn how to vibrate a god-name until I signed up with yet another occult order and was taught it in person. I wouldn't wish the ensuing experience on anyone, so here is a description which I hope will be adequate in print.
Vibration phase i -- The Sign of the Enterer (1-4)
1. Stand upright. Blow all the air out of your lungs. Hold your arms straight out at your sides.
2a. Close your eyes and inhale nasally, imagining that the breath is the name. The exact nature of this imagination differs from person to person. Thus, you imagine yourself inhaling the name into your lungs.
2b. As you inhale, sweep your forearms smoothly and deliberately up so that your fists rest on your temples.
3. Imagine the breath moving down through your torso slowly, and through your pelvis, your legs, and finally to the soles of your feet. (Don't do this so slowly that you are hurting for air when the name reaches your feet!)
4a. The instant the inhaled vibrational name hits the soles of your feet, imagine it rushing back up and out.
4b. Simultaneously, throw yourself forward, thrusting your left foot forward about twelve inches (or thirty centimeters) and catching yourself on it. Your hands shoot forward, together, like a diver. You bend forward at the waist so that your torso winds up parallel to the floor.
4c. The air in your lungs should be blown out through your nose at the same time, but imagine the name shooting out straight ahead.
Steps 3-4 are known as the Sign of the Enterer, or of Horus. This symbolizes powerful active energy. The Enterer should be something of a "rush". The vibrational name is projected outwards into more tangible manifestation -- in this case, in the pentagrams of the LBR, which are charged by the force of the projected god-names.
It is highly inadvisable to omit the portion of step(4b) which reads "catching yourself on it." But again, I have no desire to infringe on your freedom of choice.
Vibration phase ii -- The Sign of Silence (5)
5. Finally, withdraw into a standing position, left arm hanging at your side, right forefinger on lips, left foot pointing ninety degrees out from the body.
Step 5 is called the Sign of Silence, or of Harpocrates. This Egyptian god was mistakenly believed (at the turn of the century) to pertain to silence, because his finger or thumb was touching his lips. This gesture is now believed to be a symbol of childhood; this correction appears in the World card of Crowley's "Book of Thoth" Tarot deck. Harpocrates was the god of the Sun at dawn, and so symbolizes wonder, beauty, potential, growth. So, step 5 may be done in this academically corrected light instead.
However, the "hush" gesture of the Golden Dawn Sign of Silence is adequate for the modern occultist, even if deprived of A Divine Identification. It is a common gesture, at least in the European culture, meaning silence. Silence perhaps balances the ultra-active Sign of the Enterer better than does the more scholarly positive/active "Sign of Harpocrates the Rising Sun", and silence is surely no alien concept to mystics.
The Invocation
The pentagrams are given form by the drawing, life by the vibration, identity by the four-part prayer of steps (x) to (xiv). Some people do very elaborate visualizations of angelic guardians on each of (xi) to (xiv). Because of my tragic personal deficiencies, I am content with strong feelings of presence, identity, and divinity in each of the four directions.
A horizontal cross is built up step by step as you say, "Before me Raphael", etc, with you at the center; and the position of your arms forms a vertical cross, a renewal of the Qabalistic Cross from the start of the ritual. You may feel a quite peculiar rising and expansion when both of these crosses are formulated. One has become the center of the geometry of the space, and it is like a little world in itself, cut adrift from the mundane currents of everyday experience.
Steps (xv) and (xvi) are when the real banishing takes place, during "For about me flames the pentagram, and in the column stands the six-rayed star." A great pulse of force is emitted during these steps, imposing the personal will on the space and clearing it of all hostile influences.
After this is done, the invoked "archangels" maintain the banishing effect, guarding in all four directions. Of course this talk of angels is all bullnuts -- the importance lies in the psychological effect. Whether there "really is" an archangel standing there keeping out inimical spirits is not important. The "feeling of cleanliness" is what matters.
Concluding Cross
The final Qabalistic Cross is an affirmation of the completeness and symmetry of the ritual, and also a new self-consecration. This is more efficacious than the previous Cross because it is done in a banished environment.
One is now ready to do a formal invocation, an evocation, a meditation, or whatever the overall purpose may be. The LBR is a preliminary ceremony, although it has a beneficial effect in itself. It can profitably be done as a stand-alone ritual, but you should move on. The LBR should keep away the horrible ickies that turn so many novices away from Magick. Its mastery is a first step to adeptship.[/color][/quote]
Witches' Lesser Banishing Ritual of the Pentagramby Paul Hume
The following text was an addendum to some Wiccan friends of mine written in 1986. It followed a fairly standard instruction in the Lesser Banishing Ritual of the Pentagram, with which they were not familiar. We were feeling out some linking techniques leading to a proposed joint ritual involving several Wiccans and two ceremonial qabalists (one Thelemite -- ie. myself, and another). While events conspired to torpedo this project, some interesting ideas came along on both sides. The goal was a set of brief rituals meaningful to both traditions which we could practice individually, thus building up a group current prior to the date of the proposed rite (Samhain of that year). Herewith my notes on "The Wiccan Pentagram" ritual which evolved during this project. My primary source of God Forms was Paul Huson's "Mastering Witchcraft" which was my main source of information on Wicca at the time (I've done considerable study elsewhere since).
Non-Solar symbolism
A ritual can be modified in many ways, to refit it for a different set of symbols, for example. I have taken the liberty of doing some research into alternate symbols for the Lesser Ritual of the Pentagram since I know that you work a lunar-feminine current (Wicca) whereas I use more solar-masculine symbols in my current (Thelemite). The Qabalistic Cross This might be used as is, though you could use the English if you don't feel that the Hebrew is relevant. I am sure you recognize the words as being similar to the end of the Lord's Prayer in the King James Version: 'Unto thee, the Kingdom and the Power and the Glory, forever! Amen.' I would point out that this formula was around a long time before Christ, much less the translators of the Standard Revised Version of the Bible. If you dislike such a specifically Christian form, it may be replaced with the words KETHER (KEH-THER), MALKUTH, GEBURAH, GEDULAH (or Crown, Kingdom, Power, Mercy), the spheres of occult energy that you are invoking with the Q-Cross. The mental images remain the same. You could even avoid these Hebrew symbols entirely, using Names and formulae more suitable to raising the Cone of Power, which is what you are doing here in Wiccan terms. See the 'Wiccan Cross,' below.
The principle is:
Invoke strongly the presence of the Supreme Creative Principle as you conceive it (or in your case, Her) to be. Your Name for the Goddess as Creatrix would be most suitable.
Draw down power from this Godhead and project it through your body into the Earth. Invoke strongly the Supreme symbol of Creation in your Tradition: maybe the God -- as Son of the Goddess and Lord of the Trees, and as John Barleycorn, the ever-born and dying One.
Establish on your right side the Active Principle -- Yang -- the Projective Energy of the Universe. A God image, I should think.
Establish on yourleft side thePassive Principle -- Yin -- the Receiving Energy of the Universe. A Goddess force I feel.
Strongly visualize yourself at the center of these axes between the Infinities. This centers you at the middle of the Sacred Space to be created -- the still point at the center of the universe.
The Pentagrams
Again, the pentagram should be used. This symbol is universal to many, many systems of magick, including Wicca, as you know. The five-pointed star has supreme power over the Elements: Spirit, Fire, Water, Air and Earth. It drives off negative influences and attracts positive ones. It is an essential part of the rite and there is no symbol that can take its place as effectively.
The Names
I prefer using the Hebrew God-Names as is. In this connection they express formulae that govern the Elements and are no more religious than E=MC squared. However, there are equivalent Wiccan God-Names, which I describe in the next section, as substitutes for the Archangels. The use of the same Names to activate the stars and to invoke the Elemental force is quite in keeping with the Wiccan tradition, which does not use the same hierarchical system of God-Name, Archangel, Angel, Ruler, Spirit, etc. that Qabalism does.
The Archangelic Invocation
Instead of the Hebrew Archangels I described, you could use Wiccan Deities to invoke the 'pure' form of the Elements.
AIR-EAST:
The Air image in Wicca seems to be masculine and relates to Herne, the Black Man, the messenger of the Gods, or the Sky Gods: Odin, or Lugh as the rising Sun God. The God can be imagined as riding through the night sky, at the head of the Wild Hunt, or rising above the branches of the world-ash. Instead of the Sword given to Raphael, the God might carry a staff, spear or wand, which is attributed to Air in most Wiccan traditions.
FIRE-SOUTH:
The Fire image is definitely masculine and relates to the Horned God: Cernunnos, Lucifer, call Him what you will. He stands in the hot light of the noonday sun, radiating fiery energy. He would bear an Athame or sword, which is the weapon of Fire in most Wiccan styles.
WATER-WEST:
The Water image is the Maiden, the mistress of the Moon and the Tides: Aradia, Artemis, Venus rising from the waves. Her image is lit by the silver light of the moon, upon a tranquil reach of water or the foaming sea. She might hold the chalice, symbol of water (alternatively, the cauldron might be envisioned).
EARTH-NORTH:
The Goddess in Her aspect as Earth Mother is here: Hertha, Habondia, Demeter. She stands beneath the golden, life-giving sun surrounded by the fruits of the Earth. Before her, a platter flows with good things of the Earth, for the disk/shield/platter is the pentacle, magick instrument of Earth. These are only bare sketches of the magickal images that a witch might use to replace the Qabalistic images of the traditional pentagram ritual. I offer them for what they are worth.
A few points to note:
The phases of the sun used in the Archangelic images (East:Dawn; South:Noon; West:Sunset; North:Midnight) are not the same, nor are they as important to Wicca. Instead, the poles of day and night are established: Night for the East-West axis and Day for the North-South axis.
The male-female poles are established with the masculine images (Herne and Cernunnos) attributed to the active Elements (Air and Fire) and the feminine images (Aradia and Habondia) to the passive Elements (Water and Earth). Note that one figure of each gender stands in light, and one in darkness. This male-female/positive-negative/active-passive polarity is central to virtually all systems of magick, eg. the yin/yang symbol in oriental systems. I may be betraying solar-phallic tendencies by these assignments, and you may want to use different attributions: The Maiden can be Air and the Mother switch to Water, with the Hunter moving into Earth, for example. Heck, the dual God Forms should perhaps be invoked in each quarter. eg. Venus/Adonis imagery in East or South, Hertha/Herne in West, etc.
The Star Of David
The last line of the Invocation refers to a 'six-rayed star' and the mental work calls for imagining a Star of David. This is not a specifically Jewish symbol in this context. The six-pointed star, or hexagram, is the Qabalistic symbol par excellence of initiation and spiritual illumination. The upward-pointing triangle represents the aspiration of the magician to the Gods, and the downward-pointing triangle represents the divine power, flowing down to the world. These meet at the moment of magick and the interlaced triangles forming the hexagram symbolize the power of this meeting. Should you prefer not to use the Star of David, you can replace the mental image with any symbol showing the meeting of your soul and the power of the Goddess. This can even be a private symbol, one that is meaningful only to you. Alternatively, you can just envision the sphere of white light from the Q-Cross, as a symbol of divine power. Replace the words about the 'six-rayed star' with some descriptive form: 'the seal of the Goddess,' or 'the sign of my Awakening,' or simply 'the light Divine.'
Wiccan Pentagram ritual
Rubric [This is a form of the rite incorporating the changes in symbolism discussed above]
WICCAN CROSS
Face East. Touch forehead. Say IO EVOE HERTHA ('Blessed be Hertha,' or other Name by which you worship the Goddess as Creatrix) Touch solar plexus or genitals. Say IO EVOE CERNUNNOS ('Blessed be Cernunnos,' or other name by which you worship the Horned God as the Earth) Touch right shoulder. Say EKO EKO AZARAK ('Hail, hail force of fire') Touch left shoulder. Say EKO EKO AMELAK ('Hail, hail to the glory') Extend arms in form of a cross. Say IO EVOE ('Blessed be.') Clasp hands upon breast and say 'So mote it be.'
CIRCLE OF PROTECTION
Trace pentagram in East. Say HERNE. Trace circle of protection until facing South. Trace pentagram in South. Say CERNUNNOS. Trace circle of protection until facing West. Trace pentagram in West. Say ARADIA. Trace circle of protection until facing North. Trace pentagram in North. Say HABONDIA. Finish tracing circle, closing it in the East.
INVOCATION OF THE GREAT GODS
Return to center of circle and face East. Extend arms in form of a cross. Chant:
Before me HERNE The Huntsman
Behind me ARADIA The Maiden
On my right hand CERNUNNOS, the Horned God
On my left hand HABONDIA, the Great Mother
About me flame the pentagrams
And above me shines the light of the Goddess.
Repeat the Wiccan Cross. Rather than performing this in the rather measured cadences of Qabalistic Ritual, a form of dancing and chanting more pleasing to the God-forms of Wicca might profitably be devised
The following text was an addendum to some Wiccan friends of mine written in 1986. It followed a fairly standard instruction in the Lesser Banishing Ritual of the Pentagram, with which they were not familiar. We were feeling out some linking techniques leading to a proposed joint ritual involving several Wiccans and two ceremonial qabalists (one Thelemite -- ie. myself, and another). While events conspired to torpedo this project, some interesting ideas came along on both sides. The goal was a set of brief rituals meaningful to both traditions which we could practice individually, thus building up a group current prior to the date of the proposed rite (Samhain of that year). Herewith my notes on "The Wiccan Pentagram" ritual which evolved during this project. My primary source of God Forms was Paul Huson's "Mastering Witchcraft" which was my main source of information on Wicca at the time (I've done considerable study elsewhere since).
Non-Solar symbolism
A ritual can be modified in many ways, to refit it for a different set of symbols, for example. I have taken the liberty of doing some research into alternate symbols for the Lesser Ritual of the Pentagram since I know that you work a lunar-feminine current (Wicca) whereas I use more solar-masculine symbols in my current (Thelemite). The Qabalistic Cross This might be used as is, though you could use the English if you don't feel that the Hebrew is relevant. I am sure you recognize the words as being similar to the end of the Lord's Prayer in the King James Version: 'Unto thee, the Kingdom and the Power and the Glory, forever! Amen.' I would point out that this formula was around a long time before Christ, much less the translators of the Standard Revised Version of the Bible. If you dislike such a specifically Christian form, it may be replaced with the words KETHER (KEH-THER), MALKUTH, GEBURAH, GEDULAH (or Crown, Kingdom, Power, Mercy), the spheres of occult energy that you are invoking with the Q-Cross. The mental images remain the same. You could even avoid these Hebrew symbols entirely, using Names and formulae more suitable to raising the Cone of Power, which is what you are doing here in Wiccan terms. See the 'Wiccan Cross,' below.
The principle is:
Invoke strongly the presence of the Supreme Creative Principle as you conceive it (or in your case, Her) to be. Your Name for the Goddess as Creatrix would be most suitable.
Draw down power from this Godhead and project it through your body into the Earth. Invoke strongly the Supreme symbol of Creation in your Tradition: maybe the God -- as Son of the Goddess and Lord of the Trees, and as John Barleycorn, the ever-born and dying One.
Establish on your right side the Active Principle -- Yang -- the Projective Energy of the Universe. A God image, I should think.
Establish on yourleft side thePassive Principle -- Yin -- the Receiving Energy of the Universe. A Goddess force I feel.
Strongly visualize yourself at the center of these axes between the Infinities. This centers you at the middle of the Sacred Space to be created -- the still point at the center of the universe.
The Pentagrams
Again, the pentagram should be used. This symbol is universal to many, many systems of magick, including Wicca, as you know. The five-pointed star has supreme power over the Elements: Spirit, Fire, Water, Air and Earth. It drives off negative influences and attracts positive ones. It is an essential part of the rite and there is no symbol that can take its place as effectively.
The Names
I prefer using the Hebrew God-Names as is. In this connection they express formulae that govern the Elements and are no more religious than E=MC squared. However, there are equivalent Wiccan God-Names, which I describe in the next section, as substitutes for the Archangels. The use of the same Names to activate the stars and to invoke the Elemental force is quite in keeping with the Wiccan tradition, which does not use the same hierarchical system of God-Name, Archangel, Angel, Ruler, Spirit, etc. that Qabalism does.
The Archangelic Invocation
Instead of the Hebrew Archangels I described, you could use Wiccan Deities to invoke the 'pure' form of the Elements.
AIR-EAST:
The Air image in Wicca seems to be masculine and relates to Herne, the Black Man, the messenger of the Gods, or the Sky Gods: Odin, or Lugh as the rising Sun God. The God can be imagined as riding through the night sky, at the head of the Wild Hunt, or rising above the branches of the world-ash. Instead of the Sword given to Raphael, the God might carry a staff, spear or wand, which is attributed to Air in most Wiccan traditions.
FIRE-SOUTH:
The Fire image is definitely masculine and relates to the Horned God: Cernunnos, Lucifer, call Him what you will. He stands in the hot light of the noonday sun, radiating fiery energy. He would bear an Athame or sword, which is the weapon of Fire in most Wiccan styles.
WATER-WEST:
The Water image is the Maiden, the mistress of the Moon and the Tides: Aradia, Artemis, Venus rising from the waves. Her image is lit by the silver light of the moon, upon a tranquil reach of water or the foaming sea. She might hold the chalice, symbol of water (alternatively, the cauldron might be envisioned).
EARTH-NORTH:
The Goddess in Her aspect as Earth Mother is here: Hertha, Habondia, Demeter. She stands beneath the golden, life-giving sun surrounded by the fruits of the Earth. Before her, a platter flows with good things of the Earth, for the disk/shield/platter is the pentacle, magick instrument of Earth. These are only bare sketches of the magickal images that a witch might use to replace the Qabalistic images of the traditional pentagram ritual. I offer them for what they are worth.
A few points to note:
The phases of the sun used in the Archangelic images (East:Dawn; South:Noon; West:Sunset; North:Midnight) are not the same, nor are they as important to Wicca. Instead, the poles of day and night are established: Night for the East-West axis and Day for the North-South axis.
The male-female poles are established with the masculine images (Herne and Cernunnos) attributed to the active Elements (Air and Fire) and the feminine images (Aradia and Habondia) to the passive Elements (Water and Earth). Note that one figure of each gender stands in light, and one in darkness. This male-female/positive-negative/active-passive polarity is central to virtually all systems of magick, eg. the yin/yang symbol in oriental systems. I may be betraying solar-phallic tendencies by these assignments, and you may want to use different attributions: The Maiden can be Air and the Mother switch to Water, with the Hunter moving into Earth, for example. Heck, the dual God Forms should perhaps be invoked in each quarter. eg. Venus/Adonis imagery in East or South, Hertha/Herne in West, etc.
The Star Of David
The last line of the Invocation refers to a 'six-rayed star' and the mental work calls for imagining a Star of David. This is not a specifically Jewish symbol in this context. The six-pointed star, or hexagram, is the Qabalistic symbol par excellence of initiation and spiritual illumination. The upward-pointing triangle represents the aspiration of the magician to the Gods, and the downward-pointing triangle represents the divine power, flowing down to the world. These meet at the moment of magick and the interlaced triangles forming the hexagram symbolize the power of this meeting. Should you prefer not to use the Star of David, you can replace the mental image with any symbol showing the meeting of your soul and the power of the Goddess. This can even be a private symbol, one that is meaningful only to you. Alternatively, you can just envision the sphere of white light from the Q-Cross, as a symbol of divine power. Replace the words about the 'six-rayed star' with some descriptive form: 'the seal of the Goddess,' or 'the sign of my Awakening,' or simply 'the light Divine.'
Wiccan Pentagram ritual
Rubric [This is a form of the rite incorporating the changes in symbolism discussed above]
WICCAN CROSS
Face East. Touch forehead. Say IO EVOE HERTHA ('Blessed be Hertha,' or other Name by which you worship the Goddess as Creatrix) Touch solar plexus or genitals. Say IO EVOE CERNUNNOS ('Blessed be Cernunnos,' or other name by which you worship the Horned God as the Earth) Touch right shoulder. Say EKO EKO AZARAK ('Hail, hail force of fire') Touch left shoulder. Say EKO EKO AMELAK ('Hail, hail to the glory') Extend arms in form of a cross. Say IO EVOE ('Blessed be.') Clasp hands upon breast and say 'So mote it be.'
CIRCLE OF PROTECTION
Trace pentagram in East. Say HERNE. Trace circle of protection until facing South. Trace pentagram in South. Say CERNUNNOS. Trace circle of protection until facing West. Trace pentagram in West. Say ARADIA. Trace circle of protection until facing North. Trace pentagram in North. Say HABONDIA. Finish tracing circle, closing it in the East.
INVOCATION OF THE GREAT GODS
Return to center of circle and face East. Extend arms in form of a cross. Chant:
Before me HERNE The Huntsman
Behind me ARADIA The Maiden
On my right hand CERNUNNOS, the Horned God
On my left hand HABONDIA, the Great Mother
About me flame the pentagrams
And above me shines the light of the Goddess.
Repeat the Wiccan Cross. Rather than performing this in the rather measured cadences of Qabalistic Ritual, a form of dancing and chanting more pleasing to the God-forms of Wicca might profitably be devised
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Copyright Note: Did You Ever Dance With The Devil In The Pale Moonlight? :An Introduction to Post-Modern Left Hand Path Magick Part II is copyright protected. (2005) It may be freely reproduced conditionally, if and only if, authorship is credited and no alteration of the text occurs.
(c) Seti I Shadim 2005
